Inspired by Marty Stuart & Mick Conley
Steel String Guitar Mic Tool-Kit
C-LOL-12 | Brightest of our capsules. Smooth response throughout frequency range especially the Hi Mids up through the Highs. Cuts through in a mix. Solid Fundamental Lows.
When paired with the HA TL II the Ultra-Low Noise Transformerless Head Amp. The C-LOL-12 is a great acoustic guitar mic with super-low self noise, designed to reference a Vintage C 12.
C-LOL-67 | Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/sibilant range. Slightly more presence than the C-LOL-47 but less top end. Nicely balanced lows/Low Mids.
When paired with the HA-TL II the Ultra-Low Noise Transformerless Head Amp. The CLOL 67 TL is amazing on Reed Instruments, slightly distorted guitar cabinets, or even vocals. Designed to reference a Vintage U 67.
2 - SD-C Cardioid Capsule | Cardioid pattern with a nice, flat frequency response for a true and neutral sound. A very typical SD capsule, probably the one you'll use most often. Straight cardioid pattern with nice, flat frequency response with minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most applications. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6
When paired with the HA-TL II Perhaps the perfect coincident stereo pair, not too bright, not too dark, and very transparent.
SD-O-F Omni Capsule | Free Field response: to be used when a relatively flat treble is required on axis, for instance when the source needs to be accurately represented (darker room sound).
When paired with the HA-TL II it is a wonderful overhead mic for choir, orchestra, or instrument miking. Especially designed for closer omni mic technique such as over the head of a choir or instrumentalist or nearby stereo mic technique of grand piano or other critical instruments.
SD-H Hyper Cardioid Capsule | A more directional version of the Cardioid capsule, with more proximity effect. The treble response is still very realistic and to some people, will actually sound more "real" than the cardioid.
When paired with the HA-TL II It is perhaps the most perfect upright bass, or on-stage acoustic guitar mic.
2 – HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder.
2 – Shock Mounts | for HA-TL Head Amps.
Includes Jewel Box
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