3 Zigma Hybridmic System

Cardioid Capsule Module Only

 Omni pattern with flat frequency response

You need a head amp to complete this mic.

Cardioid Capsule Module Only

You need a head amp to complete this mic.

Cardioid Capsule Module Only

You need a head amp to complete this mic.

Inspired by Marty Stuart & Mick Conley

Steel String Guitar Mic Tool-Kit

Capsule Modules: 
C-LOL-12 | Brightest of our capsules. Smooth response throughout frequency range especially the Hi Mids up through the Highs.  Cuts through in a mix.  Solid Fundamental Lows. 
When paired with the HA TL II the Ultra-Low Noise Transformerless Head Amp. The C-LOL-12 is a great acoustic guitar mic with super-low self noise, designed to reference a Vintage C 12.

C-LOL-67 | Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/sibilant range. Slightly more presence than the C-LOL-47 but less top end. Nicely balanced lows/Low Mids.
When paired with the HA-TL II the Ultra-Low Noise Transformerless Head Amp. The CLOL 67 TL is amazing on Reed Instruments, slightly distorted guitar cabinets, or even vocals. Designed to reference a Vintage U 67. 

2 - SD-C Cardioid Capsule  |  Cardioid pattern with a nice, flat frequency response for a true and neutral sound. A very typical SD capsule, probably the one you'll use most often. Straight cardioid pattern with nice, flat frequency response with minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most applications. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6
When paired with the HA-TL II Perhaps the perfect coincident stereo pair, not too bright, not too dark, and very transparent.

SD-O-F Omni Capsule  |  Free Field response: to be used when a relatively flat treble is required on axis, for instance when the source needs to be accurately represented (darker room sound).
When paired with the HA-TL II it is a wonderful overhead mic for choir, orchestra, or instrument miking. Especially designed for closer omni mic technique such as over the head of a choir or instrumentalist or nearby stereo mic technique of grand piano or other critical instruments.

SD-H Hyper Cardioid Capsule  |  A more directional version of the Cardioid capsule, with more proximity effect. The treble response is still very realistic and to some people, will actually sound more "real" than the cardioid.
When paired with the HA-TL II It is perhaps the most perfect upright bass, or on-stage acoustic guitar mic.

Head Amps:

2 – HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
2 – Shock Mounts  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Capsule Module only

Brightest of our capsules. Smooth response throughout frequency range especially the Hi Mids up through the Highs.  Cuts through in a mix.  Solid Fundamental Lows.

You need a head amp to make this capsule module into a mic.

When paired with the HA-TL II the Ultra-Low Noise Transformerless Head Amp. The C-LOL 12 is an amazing acoustic guitar mic with super-low self noise. Designed to reference a Vintage C-12.

When paired with the HA-FX Ultra High SPL Transformer Coupled Head Amp the C-LOL 12 Capsule Module is a great Drum O/H Mic where a brilliant wash of cymbals is desired, designed to reference a Vintage C-12. 

The C-LOL12 TL is the complete mic with shock mount.

The C-LOL12 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL12 FX is the complete mic with shock mount.

The C-LOL12 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

Capsule Module only

Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth yet boosted Mid Response and a Full Low End.  

You need a head amp to complete this mic.

When paired with the HA-TL II is a stunning mic for nylon stringed guitars, or harps, designed to reference a Vintage ELam 251.

When paired with the HA-FX it is great for Jazz Drum overhead or nylon strings. Designed to reference a Vintage ELam 251.

The C-LOL 251 TL is the complete mic with shock mount.

The C-LOL 251TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 251 FX is the complete mic with shock mount.

The C-LOL 251 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

Capsule Module Only

Very Smooth highs but with a bit of attitude. Less presence with an open sounding top end. Rich Tight Lows. Slightly more presence, slightly less 'air' than the C-LOL-12.

You need a head amp to make this capsule module into a mic.

When paired with the HA-TL II It makes a great spot mic or in pairs a wonderful x/y mic (x/y method is ideal for close-mic applications with minimal phase issues) with super low noise, designed to reference a Vintage U-47.

When paired with the HA-FX It is the perfect close Mic for Grand Pianos, or clean guitar speaker cabinet. Designed to reference a Vintage U-47.

The C-LOL 47 TL is the complete mic with shock mount.

The C-LOL 47 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 47 FX is the complete mic with shock mount.

The C-LOL 47 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

Capsule Module Only

Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the C-LOL 47 but less top end. Nicely balanced Lows/Low Mids.

You need a head amp to make this capsule module into a mic.

When paired with the HA-TL II the Ultra-Low Noise Transformerless Head Amp. The C-LOL 67 FX is amazing on Reed Instruments, slightly distorted guitar cabinets, or even vocals. Designed to reference a Vintage U 67. 

When paired with the HA-FX The CLOL 67 TL is a stunning mic for reeds or small body acoustic guitars, with super low noise. Designed to reference a Vintage U-67.

The C-LOL 67 TL is the complete mic with shock mount.

The C-LOL 67 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 67 FX is the complete mic with shock mount.

The C-LOL 67 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

Head-Amp Module Only

Developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise

Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character.

What goes in is what comes out only louder

You need a capsule module to complete this mic.

When paired with:

C-LOL 12 CM | It is an amazing acoustic guitar mic with super-low self noise, designed to reference a Vintage C 12  
C-LOL 47 CM | It makes a great spot mic or in pairs a wonderful x/y mic (x/y method is ideal for close-mic applications with minimal phase issues) with super low noise, designed to reference a Vintage U47.
C-LOL 49 CM | It is a great mic on bright sources, is super-low-noise, and designed to reference a Vintage M 49.
C-LOL 67 CM | It is amazing on Reed Instruments, slightly distorted guitar cabinets, or even vocals. Designed to reference a Vintage U 67. 
C-LOL 251 CM | It is a stunning mic for nylon stringed guitars, or harps, designed to reference a Vintage ELam 251.

DETAILS:

Includes: Shock Mount and Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

The C-LOL 12 TL is the complete mic with shock mount.

The C-LOL12 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 47 TL is the complete mic with shock mount.

The C-LOL 47 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 49 TL is the complete mic with shock mount.

The C-LOL 49 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 67 TL is the complete mic with shock mount.

The C-LOL 67 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 251 TL is the complete mic with shock mount.

The C-LOL 251 TL MP is the matched pair set of complete mics with shock mounts.

Head Amp Module Only

We added a transformer for a little audio color – Also added a high pass filter and a pad switch for flexibility.

You need a capsule module to complete this mic.

When paired with:

C-LOL 12 CM | It is a great Drum overhead Mic where a brilliant wash of cymbals is desired, designed to reference a Vintage C 12. 
C-LOL 47 CM | It is the perfect close Mic for Grand Pianos, or clean guitar speaker cabinet. Designed to reference a Vintage U 47.
C-LOL 49 CM | It is an amazing mic for distorted guitar speaker cabinets or brass instruments. Designed to reference a Vintage M 49.
C-LOL 67 CM | The CLOL 67 TL is a stunning mic for reeds or small body acoustic guitars, with super low noise. Designed to reference a Vintage U-67.
C-LOL 251 CM | It is great for Jazz Drum overhead or for nylon strings. Designed to reference a Vintage ELam 251.

DETAILS:

Includes: Shock Mount and Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

The C-LOL12 FX is the complete mic with shock mount.

The C-LOL12 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL 47 FX is the complete mic with shock mount.

The C-LOL 47 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL49 FX is the complete mic with shock mount.

The C-LOL49 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL67 FX is the complete mic with shock mount.

The C-LOL67 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL251 FX is the complete mic with shock mount.

The C-LOL251 FX MP is the matched pair set of complete mics with shock mounts.

Cardioid Capsule Module Only

Cardioid pattern with a nice, flat frequency response for a true and neutral sound.

A very typical SD capsule, probably the one you'll use most often. Straight cardioids pattern with nice, flat frequency response with only minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most jobs. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6.

You need a head amp to complete this mic.

The C-LOL 12 TL its an amazing acoustic guitar mic with super-low self noise. 
Designed to reference a Vintage C-12.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mic

C-LOL 12  |  Brightest of our capsules. Smooth response throughout frequency range especially the hi mids up through the highs. Cuts through in a mix. Solid Fundamental Lows. 
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

The C-LOL 251 FX is great for Jazz Drum overhead, nylon strings, baritone sax.
Designed to reference a Vintage ELam 251.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High SPL Mic

C-LOL 251  |  Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth Mid Response and a full low end.  
HA-FX  |  We added a transformer for a little audio color. Also added a high pass filter and a pad switch for flexibility
Shock Mount  | for HA-FX (FET) Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -36dB (15.8mV/Pa)
Impedance: 200Ω
S/N Ratio: 84dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 10dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 136dB/ 144dB/ 152dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V

The C-LOL 251 TL MP - 2 mics that are stunning mics for nylon stringed guitars, or harps. Ultra Airy, and open.
Designed to reference a Vintage ELam-251.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mics

2 – C-LOL 251  |  Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth Mid Response and a full low end.  
2 – HA-TL II  |  developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder
2 – Shock Mounts  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -34dB (20mV/Pa)
Impedance: 100Ω S/N
Ratio: 86dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 8dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 138dB
Power Requirements: Phantom power 48V±4V

The C-LOL 47 TL MP Mics makes a great spot mic or in pairs a wonderful x/y mic (x/y method is ideal for close-mic applications with minimal phase issues) with super low noise. Designed to reference a Vintage U-47.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-Low-Noise Mics

2 – C-LOL 47  |  Very Smooth highs but with a bit of attitude. Less presence with an open sounding top end. Rich Tight Lows. More natural tonality than the CLOL 12.
2 – HA TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
2 – Shock Mounts  | for HA TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -35dB (18mV/Pa)
Impedance: 100Ω
S/N Ratio: 85dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 9dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 139dB
Power Requirements: Phantom power 48V±4V

The C-LOL 47 TL Mic makes a great spot mic or in pairs a wonderful x/y mic (x/y method is ideal for close-mic applications with minimal phase issues) with super low noise. Designed to reference a Vintage U-47.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mic

C-LOL 47  |  Very Smooth highs but with a bit of attitude. Less presence with an open sounding top end. Rich Tight Lows. More natural tonality than the CLOL 12.
HA-TL II  | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -35dB (18mV/Pa)
Impedance: 100Ω
S/N Ratio: 85dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 9dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 139dB
Power Requirements: Phantom power 48V±4V

The C-LOL 49 FX is an amazing mic for distorted guitar speaker cabinets or brass instruments. Designed to reference a Vintage M-49.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High SPL Mic

C-LOL 49  |  1950’s Classic mic vibe. Slightly dark but clear Hi- Freq. Full clear Mids with a round low end.
HA-FX  |  We added a transformer for a little audio color – Also added a high pass filter and a pad switch for flexibility
Shock Mount  | for HA FX Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity:
Impedance: 200Ω
S/N Ratio: dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 138dB/ 146dB/ 154dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V

The C-LOL 67 FX is amazing on Reed Instruments, slightly distorted guitar cabinets, or even vocals.
Designed to reference a Vintage U-67. 

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High SPL Mic

C-LOL 67  | Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the CLOL-47 but less top end. Nicely balanced lows/Low Mids.
HA-FX  |  We added a transformer for a little audio color. Also added a high pass filter and a pad switch for flexibility
Shock Mount  | for HA FX (FET) Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -37dB (14.1mV/Pa)
Impedance: 200Ω
S/N Ratio: 83dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 11dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 137dB/ 145dB/ 153dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V 

The C-LOL 67 TL is a stunning mic for reeds or small body acoustic guitars, with super low noise. 
Designed to reference a Vintage U-67.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mic

C-LOL 67  | Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the C-LOL-47 but less top end. Nicely balanced lows/Low Mids.
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

The C-LOL 67 TL MP  - two stunning mics for reeds or small body acoustic guitars, stereo vocal mic, and much more.
Designed to reference a Vintage U-67.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mics

2 – C-LOL 67  | Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the CLOL-47 but less top end. Nicely balanced lows/Low Mids.
2 – HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

The SD-C TL Perhaps the perfect coincident stereo pair, not too bright, not too dark, and very transparent.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-Low-Noise Mic

SD C Cardioid Capsule  |  Cardioid pattern with a nice, flat frequency response for a true and neutral sound. A very typical SD capsule, probably the one you'll use most often. Straight cardioids pattern with nice, flat frequency response with only minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most jobs. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6 
HA TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

The SD-C FX is a great small diameter cardioid for loud sources. Especially designed for miking loud sources such as drum O/H.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High SPL Mic

SD-C Cardioid Capsule  |  Cardioid pattern with a nice, flat frequency response for a true and neutral sound. A very typical SD capsule, probably the one you'll use most often. Straight cardioids pattern with nice, flat frequency response with only minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most jobs. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6 
HA FX  |  We added a transformer for a little audio color. Also added a high pass filter and a pad switch for flexibility
Shock Mount  | for HA-FX (FET) Head Amps
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET SD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -38dB (12.6mV/Pa)
Impedance: 200Ω
S/N Ratio: 79dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 15dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 138dB/ 146dB/154dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V

The SD-H TL Perhaps the most perfect upright bass, or on-stage acoustic guitar mic.  

DETAILS:

The Hybridmic System Modular Components 

SD-H Hyper Cardioid Capsule  |  A more directional version of the Cardioid capsule, with more proximity effect. The treble response is still very realistic and to some people, will actually sound more "real" than the cardioid.
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET SD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -38dB (12.6mV/Pa)
Impedance: 100Ω
S/N Ratio: 79dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 15dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 142dB
Power Requirements: Phantom power 48V±4V

The SD-O D TL is a superb room mic, especially designed for distant omni mic technique. 

DETAILS:

3 Zigma Hybrid Mic System - Ultra-Low Noise Mic

SD O D Omni Capsule  |  Diffuse Field response to be used when a relatively flat treble is required off axis, for instance when the sound of the room needs to be accurately represented (darker source).
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET SD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -37dB (14.1mV/Pa)
Impedance: 100Ω
S/N Ratio: 87dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 14dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 137dB
Power Requirements: Phantom power 48V±4V