3 Zigma Hybrid Mic Individual Componets

Cardioid Capsule Module Only

 Omni pattern with flat frequency response

You need a head amp to complete this mic.

Cardioid Capsule Module Only

You need a head amp to complete this mic.

Cardioid Capsule Module Only

You need a head amp to complete this mic.

Capsule Module only

Brightest of our capsules. Smooth response throughout frequency range especially the Hi Mids up through the Highs.  Cuts through in a mix.  Solid Fundamental Lows.

You need a head amp to make this capsule module into a mic.

When paired with the HA-TL II the Ultra-Low Noise Transformerless Head Amp. The C-LOL 12 is an amazing acoustic guitar mic with super-low self noise. Designed to reference a Vintage C-12.

When paired with the HA-FX Ultra High SPL Transformer Coupled Head Amp the C-LOL 12 Capsule Module is a great Drum O/H Mic where a brilliant wash of cymbals is desired, designed to reference a Vintage C-12. 

The C-LOL12 TL is the complete mic with shock mount.

The C-LOL12 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL12 FX is the complete mic with shock mount.

The C-LOL12 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.

Capsule Module only

Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth yet boosted Mid Response and a Full Low End.  

You need a head amp to complete this mic.

When paired with the HA-TL II is a stunning mic for nylon stringed guitars, or harps, designed to reference a Vintage ELam 251.

When paired with the HA-FX it is great for Jazz Drum overhead or nylon strings. Designed to reference a Vintage ELam 251.

The C-LOL 251 TL is the complete mic with shock mount.

The C-LOL 251TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 251 FX is the complete mic with shock mount.

The C-LOL 251 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.

Capsule Module Only

Very Smooth highs but with a bit of attitude. Less presence with an open sounding top end. Rich Tight Lows. Slightly more presence, slightly less 'air' than the C-LOL-12.

You need a head amp to make this capsule module into a mic.

When paired with the HA-TL II It makes a great spot mic or in pairs a wonderful x/y mic (x/y method is ideal for close-mic applications with minimal phase issues) with super low noise, designed to reference a Vintage U-47.

When paired with the HA-FX It is the perfect close Mic for Grand Pianos, or clean guitar speaker cabinet. Designed to reference a Vintage U-47.

The C-LOL 47 TL is the complete mic with shock mount.

The C-LOL 47 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 47 FX is the complete mic with shock mount.

The C-LOL 47 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.

Capsule Module Only

Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the C-LOL 47 but less top end. Nicely balanced Lows/Low Mids.

You need a head amp to make this capsule module into a mic.

When paired with the HA-TL II the Ultra-Low Noise Transformerless Head Amp. The C-LOL 67 FX is amazing on Reed Instruments, slightly distorted guitar cabinets, or even vocals. Designed to reference a Vintage U 67. 

When paired with the HA-FX The CLOL 67 TL is a stunning mic for reeds or small body acoustic guitars, with super low noise. Designed to reference a Vintage U-67.

The C-LOL 67 TL is the complete mic with shock mount.

The C-LOL 67 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 67 FX is the complete mic with shock mount.

The C-LOL 67 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.

Head-Amp Module Only

Developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise

Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character.

What goes in is what comes out only louder

You need a capsule module to complete this mic.

When paired with:

C-LOL 12 CM | It is an amazing acoustic guitar mic with super-low self-noise, designed to reference a Vintage C 12  
C-LOL 47 CM | It makes a great spot mic or in pairs a wonderful x/y mic (x/y method is ideal for close-mic applications with minimal phase issues) with super low noise, designed to reference a Vintage U47.
C-LOL 49 CM | It is a great mic on bright sources, is super-low-noise, and designed to reference a Vintage M 49.
C-LOL 67 CM | It is amazing on Reed Instruments, slightly distorted guitar cabinets, or even vocals. Designed to reference a Vintage U 67. 
C-LOL 251 CM | It is a stunning mic for nylon-stringed guitars, or harps, designed to reference a Vintage ELam 251.

DETAILS:

Includes: Shock Mount and Jewel Box
Ships Via: Fed Ex or U.S.P.S.

The C-LOL 12 TL is the complete mic with shock mount.

The C-LOL12 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 47 TL is the complete mic with shock mount.

The C-LOL 47 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 49 TL is the complete mic with shock mount.

The C-LOL 49 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 67 TL is the complete mic with shock mount.

The C-LOL 67 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 251 TL is the complete mic with shock mount.

The C-LOL 251 TL MP is the matched pair set of complete mics with shock mounts.

Head Amp Module Only

We added a transformer for a little audio color – Also added a high pass filter and a pad switch for flexibility.

You need a capsule module to complete this mic.

When paired with:

C-LOL 12 CM | It is a great Drum overhead Mic where a brilliant wash of cymbals is desired, designed to reference a Vintage C 12. 
C-LOL 47 CM | It is the perfect close Mic for Grand Pianos, or clean guitar speaker cabinet. Designed to reference a Vintage U 47.
C-LOL 49 CM | It is an amazing mic for distorted guitar speaker cabinets or brass instruments. Designed to reference a Vintage M 49.
C-LOL 67 CM | The CLOL 67 TL is a stunning mic for reeds or small body acoustic guitars, with super low noise. Designed to reference a Vintage U-67.
C-LOL 251 CM | It is great for Jazz Drum overhead or for nylon strings. Designed to reference a Vintage ELam 251.

DETAILS:

Includes: Shock Mount and Jewel Box
Ships Via: Fed Ex or U.S.P.S.

The C-LOL12 FX is the complete mic with shock mount.

The C-LOL12 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL 47 FX is the complete mic with shock mount.

The C-LOL 47 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL49 FX is the complete mic with shock mount.

The C-LOL49 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL67 FX is the complete mic with shock mount.

The C-LOL67 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL251 FX is the complete mic with shock mount.

The C-LOL251 FX MP is the matched pair set of complete mics with shock mounts.

Cardioid Capsule Module Only

Cardioid pattern with a nice, flat frequency response for a true and neutral sound.

A very typical SD capsule, probably the one you'll use most often. Straight cardioids pattern with nice, flat frequency response with only minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most jobs. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6.

You need a head amp to complete this mic.