Jazz at Lincoln Center replaced their 414 on Drum O/H with two C-Lol-251 FX The C-LOL 251 FX MP are great for Jazz Drum overhead, nylon strings, baritone sax. that are stunning...
The C-LOL 67 TL MP - two stunning mics for reeds or small body acoustic guitars, stereo vocal mic, and much more. Designed to reference a Vintage U-67 with Exponentially better Specs....
The SD-C TL is a super-balanced yet rich sounding coincident stereo pair, not too bright, not too dark, yet still very transparent. The SD-TL MP are the ultimate X/Y or...
The SD-O D MP diffuse field small diameter omni are great for room mics or quad ORTF Mic Technique when used with with SD-C MP for choir and orchestra. DETAILS:...
The SD-O F TL MP are small diameter free field omni. Great for stereo mic technique of choirs, orchestra, grand pianos where isolation is not necessary. DETAILS: 2 – SD-O F Omni Capsule | Free...
The C-LOL 12 TL Matched Pair are great for stereo recording of guitars, percussion or any acoustic instrument that you want to add a sparkle or sheen to your sound. Designed to...
The C-LOL 12 FX Matched Pair are great for Drum Overheads when you want a brilliant, forward-in-the-mix tonality. Amazing SPL Capability and Rugged Reliability. Great for Drum Overheads or Stereo Tracking of...
The C-LOL 251 TL MP - Matched pair of mics for nylon stringed guitars harps Stringed Things, Vocal Mics, Room Mics and More. Ultra Airy, and Open. Designed to reference...
The SD-C FX MP are the ultimate drum overhead mics where full frequency and un-hyped sound is desired. If you have a loud stereo source like a grand piano or full blown...
The C-LOL 67 FX MP Matched Pair is amazing on Concert Size Grand Pianos, Especially Steinways, plus Reed Instruments, small-body finger-style guitars, slightly distorted guitar cabinets, jazz and classical vocals. Often...
