The Hamburg 67 T is our most popular model. Its reputation is well earned, not too bright, not too dark. To many listeners, it is more mid-forward than the 251...
Randy Tico, Victor Wooten, Viktor Krauss, Victor Bailey, and John Pattituci use this Mic for Upright Bass. Close to half the Bass Dept at Berklee school of music has an...
Jazz at Lincoln Center replaced their 414 on Drum O/H with two C-Lol-251 FX The C-LOL 251 FX MP are great for Jazz Drum overhead, nylon strings, baritone sax. that are stunning...
The C-LOL 251 TL MP - Matched pair of mics for nylon stringed guitars harps Stringed Things, Vocal Mics, Room Mics and More. Ultra Airy, and Open. Designed to reference...
The SD-O F TL MP are small diameter free field omni. Great for stereo mic technique of choirs, orchestra, grand pianos where isolation is not necessary. DETAILS: 2 – SD-O F Omni Capsule | Free...
Vienna-12 is the Bright-Hot Spot-Light of the T-FET Series. It's got attitude for miles and pushes any track it records way to the front of the mix. Where the 251...
The SD-O F TL is a wonderful overhead mic for choir, orchestra, or instrument miking. Especially designed for closer omni mic technique such as over the head of a choir or instrumentalist...
The SD-C TL is a super-balanced yet rich sounding coincident stereo pair, not too bright, not too dark, yet still very transparent. The SD-TL MP are the ultimate X/Y or...
The SD-O D MP diffuse field small diameter omni are great for room mics or quad ORTF Mic Technique when used with with SD-C MP for choir and orchestra. DETAILS:...
