The C-LOL 49 FX is one of our favorite Trombone Mics, also a great for distorted guitar speaker cabinets or brass instruments. Ribbon-like, it can tame an overly-bright sax. Designed to...
The C-LOL 67 TL MP - two stunning mics for reeds or small body acoustic guitars, stereo vocal mic, and much more. Designed to reference a Vintage U-67 with Exponentially better Specs....
Berlin is a Smooth as Silk Male Vocal Microphone that has a wide range of other uses. It has the Least Coloration of all the flavors, making it ideal when...
Entirely Built in USA using ultra-premium components and design. Continuously Variable between Omni, Cardioid, and Figure of 8. Wait-List 4 weeks. Give a $100 deposit to get in the queue. Thanks!...
The C-LOL 251 FX is great for Jazz Drum overhead, nylon strings, baritone sax. Designed to reference a Vintage ELam 251 with Exponentially better specs. Also can be amazing on...
The SD-C TL is a super-balanced yet rich sounding coincident stereo pair, not too bright, not too dark, yet still very transparent. The SD-TL MP are the ultimate X/Y or...
The SD-O F TL MP are small diameter free field omni. Great for stereo mic technique of choirs, orchestra, grand pianos where isolation is not necessary. DETAILS: 2 – SD-O F Omni Capsule | Free...
Save if you purchase a Matched Trio for Decca-Tree use! Available in Ivory & Ebony Three sequential matched triplets with the latest Custom Tri-Polar Custom T-FET. As seen on stage...
Capsule Module only Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth yet boosted Mid Response and a Full Low End. You need a head-amp...
Capsule Module Only Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the C-LOL 47 but...
Cardioid Capsule Modules Only - Matched Pair Cardioid pattern with a nice, relatively flat frequency response for a true and neutral sound. Matched Pair Capsule Modules compatible with all FX...
The C-LOL 12 FX is an Amazing Acoustic Guitar Mic with a brilliant, forward-in-the-mix tonality. Makes a great Drum Over-Heard Mic, especially used in Matched Pairs. Designed to reference a...
Killer Snare Drum Mic, especially top and bottom out of phase. Hi-Hat, Drum Overheads, Bass and Guitar Cab Mic with Crazy SPL Spec! The SD-H FX is a fabulous ultra high SPL...
The SD-C FX MP are the ultimate drum overhead mics where full frequency and un-hyped sound is desired. If you have a loud stereo source like a grand piano or full blown...
The SD-O D MP diffuse field small diameter omni are great for room mics or quad ORTF Mic Technique when used with with SD-C MP for choir and orchestra. DETAILS:...
Omni Directional Free Field Capsule Module Only Omni directional free field capsule module. Capsule Module compatible with all FX and TL 3Zigma Head Amps. You need a head-amp to complete this...
Capsule Module Only Very Smooth highs but with a bit of attitude. Less presence with an open sounding top end. Rich Tight Lows. Slightly more presence, slightly less 'air' than...
