C-LOL 67 TL Mic

As Seen on 60 Minutes, this mic has toured for 15 years with Jazz at Lincoln Center. The C-LOL 67 TL is a great fit for reeds or small body acoustic guitars, with ultra-low noise and a tone-signature that "blooms". "It works on all the reeds except the baritone, which sounded best on a C-Lol-251." David "Sugar" Robinson - Director of Sound - Jazz at Lincoln Center Tour

Designed to reference a Vintage U-67 with Exponentially better Specs.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mic

C-LOL 67  | Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the C-LOL-47 but less top end. Nicely balanced lows/Low Mids.
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
No Jewel Box

Ships Via: Fed Ex or U.S.P.S.

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More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -36dB (16mV/Pa)
Impedance: 100Ω
S/N Ratio: 84dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 10dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 140dB
Power Requirements: Phantom power 48V±4V