C-LOL 47 TL Mic makes a great Male Vocal Mic, Soothing On Strings, It makes a Silky Spot Mic. Also in pairs in either X/Y or A/B applications to minimize...
Matched Pairs are Available on Request! Available in Ivory & Ebony Brand New M-7 Reference Microphone - the ALL-NEW Munich-7 T-FET. Think of the tonal trajectory of classic German Tube...
The Hamburg 67 T is our most popular model. Its reputation is well earned, not too bright, not too dark. To many listeners, it is more mid-forward than the 251...
Cremona is a creamy, super silky female vocal microphone. Perfect for any great singer. The 251 T is not the mic for sibilant or nasal vocalists. Optimal for delicate instruments,...
Shock mount that fits legacy mics such as Thor, A6, S7, A51, Original Hamburg and Vienna and Mk 8 Series H & V models. SUPPLY LIMITED to Stock On Hand....
Randy Tico, Victor Wooten, Viktor Krauss, Victor Bailey, and John Pattituci use this Mic for Upright Bass. Close to half the Bass Dept at Berklee school of music has an...
3 Micron 99.999% Pure Gold Vapor-Deposit Pre-Aged Capsule.
Classic 251 tonality without the need for noise inducing, phase wrecking EQ Circuitry
includes mounting screws.
Capsule mount not included.
As Seen on 60 Minutes, this mic has toured for 15 years with Jazz at Lincoln Center. The C-LOL 67 TL is a great fit for reeds or small body acoustic...
Frankfurt is a FAT Male Vocal Microphone. It greatly emphasizes Chest-Tones and Tailors Head-Tones. For Male or Female Vocalists who need a more mellow, sibilant, taming Microphone. Great for Sax,...
The C-LOL 67 FX MP Matched Pair is amazing on Concert Size Grand Pianos, Especially Steinways, plus Reed Instruments, small-body finger-style guitars, slightly distorted guitar cabinets, jazz and classical vocals. Often...
The C-LOL 12 FX Matched Pair are great for Drum Overheads when you want a brilliant, forward-in-the-mix tonality. Amazing SPL Capability and Rugged Reliability. Great for Drum Overheads or Stereo Tracking of...
The C-LOL 251 FX is great for Jazz Drum overhead, nylon strings, banjo, mandolin, amd baritone sax. Designed to reference a Vintage ELam 251 with Exponentially better Specs. Béla Fleck tried...
The C-LOL 251 TL MP - Matched pair of mics for nylon stringed guitars harps Stringed Things, Vocal Mics, Room Mics and More. Ultra Airy, and Open. Designed to reference...
The C-LOL 67 FX is amazing on Reed Instruments, small-body finger-style acoustic guitars, slightly distorted guitar cabinets, or jazz, classical vocals. Designed to reference a Vintage U-67 with Exponentially better Specs DETAILS:...
New Version Incorporates some Joe Barresi Design-Ideas. The ADK Z² 251 is one of the most flattering female vocal mics of all time (that male vocalists often like, too), a...
"The ADK Z-67 is a superb microphone. It is extremely musical, and like all ADK products, built to the highest quality. I have been an ADK fan and owner for...
Vienna-12 is the Bright-Hot Spot-Light of the T-FET Series. It's got attitude for miles and pushes any track it records way to the front of the mix. Where the 251...
Jazz at Lincoln Center replaced their 414 on Drum O/H with two C-Lol-251 FX The C-LOL 251 FX MP are great for Jazz Drum overhead, nylon strings, baritone sax. that are stunning...
