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ADKMic.com

ADK STUDIO-THOR

$347.00

COUPON CODE: 2FOR1T
Put 2 Thor Mics in your shopping cart to make the discount code work.

The discount will be applied at checkout. While supplies last.

The ADK THOR Tri-Polar-Pattern Multi-Voice Condenser Microphone has been designed as a high-SPL, reliable and robust microphone with enough flexibility tone-wise to cover any application. The dynamic range was set to allow for relatively heavy sound pressure levels, and attenuation pads enable these microphones to be used with sources up to 150 dB SPL. Keeping digital recording in mind, the noise floor is also appreciably low. These new microphones are solid, reliable “High-SPL” studio microphones that can also be used “Live”.

ADKMic.com

ADK STUDIO-ZEUS

$797.00 $497.00

Zeus is like a Swiss Army Knife with 81 tools. A Sonic Sculpting Tool-Kit for the Modern Studio. Geometrically More Functional than our Original Flagship TT with Exponentially Better Specs.

Want the Edge over the Next Musician / Producer / Engineer? Follow the Golden Ears to ADK! Add your Favorite Pre-Amp and Mix to your Ears Delight Zeus – Tri-Polar Tube Mic/Flight Case/Jewel Box/Both XLR Cables/Pop Filter with Goose-Neck and Clamp/Universal Power Supply/Shock and Ring Mounts….and it Looks Cool!

ADKMic.com

ADK CREMONA-251 T

$777.00

Moderate Mids
15k Air Band Boost
Extended Lows
Female Singers Especially Lyrical, Breathy Vocalists
Archtop or Nylon String Guitars, Bari Sax

ADK Custom Shop Cremona 251-T Microphone Includes

American Hardwood Jewel Box
Ring Mount

Sound Devices

MixPre-6M

$799.00

Portable multitrack recorder/mixer and all-in-one 8-in 4-out USB interface, with four Kashmir microphone preamps

Portable multitrack recorder/mixer and all-in-one 8-in (6 iso tracks + LR mix) 4-out USB interface, with four Kashmir microphone inputs.
24-bit with sampling rates from 44.1 kHz to 96 kHz.
Perfect for small bands and ensembles, keyboardists, multi-instrumentalists, and anyone needing to record music anytime, anywhere.
With onboard effects and features such as reverb, vocal air, low cut, metronome, overdub and bouncing, you can work on music wherever you go. Import audio
into the MixPre and mix in-unit or in your DAW.
Rugged enough to thrive on the road, small enough to stash in your gig bag.
Includes MX-4AA Battery Sled (batteries not included) and MX-PSU AC Wall Adapter.
Four ultra-low-noise Kashmir microphone preamps with analog limiters capture high quality audio in the studio, at home, or on-stage, with or without a
computer.
Powerful 300 mW + 300 mW headphone amp allows you to easily hear over loud instruments.
Record up to 12 tracks to an SD card or directly to the DAW on your computer via USB-C.
Integrate with MIDI Control Surfaces for greater control and flexibility.
Save session presets to start recording seconds after power up.

Bring on the band

Solo musicians, small ensembles and bands will love the MixPre-6M. With four
crystal-clear Kashmir preamps you can plug in keyboards and an electric guitar, mic up a small drum set, record a singer-songwriter duo, an instrumental quartet, or jam with your band. Even quiet singers or instruments will sound pristine with the Kashmir’s ultra-low noise floor. Add built-in effects like reverb or vocal air to spruce up your audio and give confidence to your group’s performance. Jamming by yourself? Create layers of tracks and use them as backing tracks live or at home for writing or practicing. With the MixPre-6M, the possibilities are endless.

Record anytime, anywhere

The MixPre-6M is both a multitrack recorder/mixer and a USB interface, so you can record at home with your computer and also at band practice in the same studio-quality – all you need is a compatible SD card. Mix, overdub, and add effects in the MixPre-6M itself or export the tracks and work on them in your DAW. You can power the MixPre-6M with your computer, wall power, or record in the middle of nowhere with AA or Sony L-mount batteries. The choice is yours.

Expand your studio, keep your MixPre

The MixPre-6M is a pro-level recorder at the heart of your rig. With the clean, boutique Kashmir preamps developed by Sound Devices, the industry leader for audio in film and TV, you won’t have to replace your MixPre as you expand your studio down the road. The MixPre-6M is limited to four simultaneous live inputs.

Sound Devices

MixPre-10M

$1,499.00

Portable multitrack recorder/mixer and all-in-one 12-in 4-out USB interface with 8 Kashmir microphone preamps

Portable multitrack recorder/mixer and all-in-one 12-in (10 iso tracks + LR mix) 4-out USB interface, with eight Kashmir microphone inputs.
24-bit with sampling rates from 44.1 kHz to 96 kHz.
Eight ultra-low-noise Kashmir microphone preamps with analog limiters capture high-quality audio in the studio, at home, or on-stage, with or without a computer.
Rugged enough to thrive on the road, small enough to stash in your backpack.
Perfect for audio engineers, drummers, large ensembles, bands, and anyone needing to record music anytime, anywhere.

The bigger, the better

The MixPre-10M is the ideal tool for audio engineers, drummers, large ensembles, and bands. Flexible input-output routing enables you to record all of your instruments your way. With 8 crystal-clear Kashmir preamps, you can capture a full band in a live room, mic up your drums at rehearsal, or record a string ensemble. Even quiet singers or instruments will sound pristine with the Kashmir’s ultra-low noise floor, and analog limiters ensure you won’t accidentally clip when you’re focusing on your performance. Add built-in effects like reverb or vocal air to spruce up your audio, or export the tracks and edit them in your DAW. Wherever the music takes you, the MixPre-10M has it handled.

Millennia

HV-35P Portable Microphone Preamp

$719.99

Authentic Transparency for Unrestricted Creativity

Continuously variable gain control
Front-panel instrument input
DC coupled ribbon mic with 10dB gain boost setting
80 Hz roll-off filter
48V phantom power
14 dB Pad
Polarity flip
12 to 15V operation - 100 to 240V line lump power supply, 12V output, included

Specifications

Minimum Gain	14.5 dB, 1dB with Pad
Maximum Gain (continuously variable)	60 dB (70 dB in Ribbon Mode)
Frequency Response (-3 dB)	< 10 Hz to > 200 kHz typical -1.0 dB @ 10 Hz typical -1.5 dB @ 200 kHz
Noise (60 dB Gain, 10 Hz - 30 kHz, Inputs common)	-130 dB EIN
Total Harmonic Distortion + Noise (35 dB Gain, 10 Hz - 20 kHz bandwidth, +24 dBu Out)	< .003%, Typical < .001%
Intermodulation Distortion (50 Hz & 7 kHz) 35 dB Gain	< .0006% +12 dBu Out < .001% +20 dBu Out
Phase Response (35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out)	< 2 degrees deviation
Common Mode Rejection Ratio (35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M.)	> 65 dB, Typ > 85 dB
Slew Rate (35 dB Gain, +24 dBu Out)	> 25 Volts per microsecond
Maximum Input Level (20 Hz - 40 kHz)	+12dBu @ 0.02% THD+N +18dBu @ 0.02% THD+N with pad
Maximum Output Level	1 kHz @ 35dB of gain, THD+N is: < 0.001% at +26dBu output < 0.05% @ +28 dBu output.
Input Impedance (1 kHz)	2k2 phantom / 1M inst
Output Impedance	24.3 Ohms (x2)
Phantom Powering	48V dc +/- 2V dc
Dimensions/Shipping Weight	5.67" W x 1.69” H x 8.19” D, 3 lbs.

3 Zigma Audio

3 Zigma Electric Guitar Microphone Kit

$1,999.00 $1,097.00

Made specifically for handling 150dB and capturing electric guitar tones, presenting them in a brutally honest way. Curated by Larry Villella based on tracking done by Michael Wagener.

Ships Via: Fed Ex or U.S.P.S.

FREE SHIPPING

3 Zigma Audio

3 Zigma Steel & Nylon Guitar Microphone Kit

$1,949.00 $1,047.00

Made specifically for capturing the widest variety of fretted instruments; presenting them in a natural honest way. Curated by Larry Villella based on tracks by Mick Conley & Marty Stuart.

Ships Via: Fed Ex or U.S.P.S.

FREE SHIPPING

The 3 Zigma Steel & Nylon Guitar 2x6 Hybrid Microphone Kit gives you a custom optimized hybrid-mic kit, made specifically for giving you optimal tonal options for capturing both steel-string acoustic AND nylon-string 'classical' guitars, presenting them in the most flattering and natural light possible.
3 Zigma Steel & Nylon Guitar Microphone Kit takes the same basic form of the Steel String Microphone Kit but alters it.

3 Zigma's Steel String Guitar Microphone Kit is inspired by the findings of Multiple Grammy Award Winning Artist Marty Stuart and his Engineer Mick Conley. When it comes to capturing acoustic guitar sounds, few people (if any) know more about what the recorded sound of an acoustic guitar should sound like than these two. After all, Marty Stuart has a million-dollar guitar collection. And what do they use to capture it? 3 Zigma!

Millennia

Millennia STT-1 Origin Twin Topology Channel Strip

$3,148.99

Over 130 Optimized Signal Topologies

Learn More

Twin Mic Preamps — M-2B vacuum tube or HV-3 discrete solid state
Twin NSEQ-2 Mastering-Grade Parametric EQs — vacuum tube or discrete solid state
Three Opto Compressor/Limiter Paths — TCL vacuum tube, discrete solid state, passive
Twin Opto De-Esser Paths — vacuum tube or discrete solid state
Vacuum tube or discrete solid state line level paths
Input coupling with or without MIT-01 audio transformer
1/4” vacuum tube DI input — route via tube or solid state gain path
Effortless, lifelike musical performance at all levels
Musically rich vacuum tubes available
Gold audio connectors, tube sockets, relays and switches
3/8“ thick radius extruded aluminum face plate
Durable black mirror-gloss anodized finish
Mil spec 16 gauge cold-rolled steel chassis
Ultra-clean toroid power supply: internal sub-chassis
Hand machined aluminum knobs, illuminated IT&T pushbuttons
Mogami Neglex OFC audio wiring
Silver Teflon power wiring
True audio VU meter for output level or dynamics gain reduction

Specifications

Microphone Preamplifiers & General:
Twin Topology Mic Preamplifier Selection	Switchable, Vacuum Tubes or Solid-State
Twin Topology EQ & Compressor	Switchable, Vacuum Tubes or Solid-State
Twin Topology Input Coupling	Switchable, Transformer or Transformerless
Maximum Output Level (Balanced)	+ 32 dBu
Frequency Response (+0 / -3 dB (S/S))	sub 5 Hz to beyond 300 kHz
Equivalent Input Noise	-131 dBu (SS, Common Source, Direct Out)
THD + Noise (20 Hz - 22 kHz) (S/S)	< .05 %, typ < .003 %
Common Mode Rejection Ratio (S/S)	> 40 dB, Typ > 70 dB @ 60 Hz
Input Impedance (Mic)	6,200 ohms
Input Impedance (Line)	2,200 ohms (x2)
Input Impedance (DI - Instrument)	> 1 megohm
Output Impedance (Balanced)	24.3 ohms (x2)
Parametric Equalizer:
Maximum EQ Boost/Cut Range (21 Step Detented)	+/- 15 dB
EQ Frequencies,Low Range Switch (Centers - Peak/Shelf Selectable):	20, 34, 56, 100, 180, 270
Low Mid Sweep:	20 Hz - 220 Hz or 200 Hz - 2.2 kHz. 10X Range switch selectable
Hi Mid Sweep:	250 Hz - 2.5 kHz or 2.5 kHz - 25 kHz. 10X Range switch selectable
High Range Switch (Centers - Peak/Shelf Selectable)	4.8 k, 5.8 k, 8.0 k, 10 k, 16 k, 21 k
“Q” Range	Q = 0.4 to 4.0 Adjustable on middle ranges
	Q = 1.0 Fixed on low & high ranges
Optoelectronic Compressor/Limiter
Threshold Range	Infinite to +20 dBu
Attack Range	2 ms to 100 ms
Release Range	80 ms to 3.0 s
Compression Ratio Range	minimum 1.4 : 1, maximum 30 : 1
De-Essing Frequency Switch	OFF, 4.9 k, 6.8 k, 8.2 k, 10.7 k , 12.0 k
Power Consumption	50 watts maximum
Power Requirements	Selectable: 100-120, 200-240 V ac, 50/60 Hz
Dimensions/Shipping Weight	19” W x 3.5” H x 15.5” D, 25 lbs.

Millennia

Millennia TD-1 Twin Topology Half Rack Channel Strip

$2,518.99

Multiple Paths, One Goal: Total Sonic Realism

Four distinct inputs can be optimized for any source
Instruments – Twin Topology® DI channel; dual-triode 12AT7 vacuum tube or discrete FET solid-state
Microphones – discrete solid-state HV-3 microphone preamplifier
DAW or tape outputs – Discrete solid-state line-level amplifier
Guitar power amp inputs – Speaker Soak™ technology
Powerful yet musical tonal shading
Two bands of mastering-grade NSEQ-2 parametric EQ; 20 Hz to 20 kHz center frequency, 0.4 to 4.0 Q
Optimized DI input for any instrument with variable 470 k / 2 M / 10 M impedance
Nine outputs for unlimited functionality
Patented Re-Amp outputs with custom-designed magnetics emulate Les Paul® and Strat® pickups
Audiophile headphone output
Balanced and unbalanced monolithic outputs
Balanced and unbalanced discrete FET outputs
Microphone level output with large-geometry DIT-01 transformer: -3 dB 3 Hz – 300 kHz
Effortlessly musical performance at all dynamic levels
Input headroom >100 V, output headroom > 30 V
100% effective hum removal with numerous ground lifts & isolations
Built for critical professional applications
Ultra-clean toroid power supply: internal sub-chassis
Gold connectors, OFC audio wiring, silver Teflon power wiring

Specifications

Preamplifiers and General:
Instrument / DI Input Amplifier Twin Topology®	TUBE: Selected twin triode vacuum tube amplifier (200 V) SOLID STATE: Selected all discrete J-FET amplifier (50 V)
THD + Noise (20 Hz - 30 kHz (35 dB Gain))	0.0005% typical mic / line, 0.03% typical vacuum tube
Intermodulation Distortion	0.0009% typical mic / line, 0.03% typical vacuum tube
Frequency Response @ -3 dB points	3 Hz to 300 kHz, typical. Varies with routing & topology
Maximum Balanced Line Input Level	+23 dBu (+43 dBu with Pad engaged or >110 Volts rms)
Maximum DI Input Level (Both Tube & SS)	+18 dBu (+26 dBu with Pad engaged or >15 Volts rms)
Maximum Output Level	+32 dBu active balanced outputs, +26 dBu unbal outputs
Maximum System Gain	65 dB
Input Impedance (DI)	Switchable: 470 kilohms / 2 megohms / 10 megohms
Noise (Mic) (60 dB gain)	-128 dB EIN, 150 ohm source, -130 dB EIN common source
Noise (Line) (10 dB gain)	-105 dBu
Noise (DI) (10 dB gain)	-90 dBu (solid-state)
Phase Error (EQ out)	Less than +/- 5 degrees 50 Hz to 20 kHz
Parametric Equalizer
Maximum Boost and Cut	+/– 15 dB (21 step detentet pot)
“Q” Range	Q+ 0.4 to 4.0 sweepable
Low Freq sweep	Switch In: Pure Class-A Discrete J-FETs
Hi Freq sweep	Switch Out: Pure Class-A Triode Tubes
Power Consumption	35 watts maximum
Power Requirements	Selectable: 100-120, 200-240 V ac, 50/60 Hz
Dimensions/Shipping Weight	8.5” W x 3.5” H x 13.0” D, 20 lbs.

3 Zigma Audio

SD-O-F - Free Field Omni

$247.00

Cardioid Capsule Module Only

Omni pattern with flat frequency response

You need a head amp to complete this mic.

3 Zigma Audio

SD-O-D - Diffuse field Omni

$247.00

Cardioid Capsule Module Only

You need a head amp to complete this mic.

3 Zigma Audio

SD-H - Hyper- Cardioid pattern

$247.00

Cardioid Capsule Module Only

You need a head amp to complete this mic.

3 Zigma Audio

3 Zigma Acoustic Steel String Guitar Microphone Kit

$1,999.00 $1,097.00

Made specifically for capturing the widest variety of fretted instruments; presenting them in a natural honest way. Curated by Larry Villella based on tracks by Mick Conley & Marty Stuart.

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

C-LOL 12 Lollipop Capsule Module - ADKMic.com

3 Zigma Audio

C-LOL 12 Lollipop Capsule Module

$397.00 $297.00

Capsule Module only

Brightest of our capsules. Smooth response throughout frequency range especially the Hi Mids up through the Highs. Cuts through in a mix. Solid Fundamental Lows.

You need a head amp to make this capsule module into a mic.

When paired with the HA-TL II the Ultra-Low Noise Transformerless Head Amp. The C-LOL 12 is an amazing acoustic guitar mic with super-low self noise. Designed to reference a Vintage C-12.

When paired with the HA-FX Ultra High SPL Transformer Coupled Head Amp the C-LOL 12 Capsule Module is a great Drum O/H Mic where a brilliant wash of cymbals is desired, designed to reference a Vintage C-12.

The C-LOL12 TL is the complete mic with shock mount.

The C-LOL12 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL12 FX is the complete mic with shock mount.

The C-LOL12 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

C-LOL 251 Lollipop Capsule Module - ADKMic.com

3 Zigma Audio

C-LOL 251 Lollipop Capsule Module

$397.00

Capsule Module only

Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth yet boosted Mid Response and a Full Low End.

You need a head amp to complete this mic.

When paired with the HA-TL II is a stunning mic for nylon stringed guitars, or harps, designed to reference a Vintage ELam 251.

When paired with the HA-FX it is great for Jazz Drum overhead or nylon strings. Designed to reference a Vintage ELam 251.

The C-LOL 251 TL is the complete mic with shock mount.

The C-LOL 251TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 251 FX is the complete mic with shock mount.

The C-LOL 251 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

3 Zigma Audio

C-LOL 47 Capsule Module

$397.00

Capsule Module Only

Very Smooth highs but with a bit of attitude. Less presence with an open sounding top end. Rich Tight Lows. Slightly more presence, slightly less 'air' than the C-LOL-12.

You need a head amp to make this capsule module into a mic.

When paired with the HA-TL II It makes a great spot mic or in pairs a wonderful x/y mic (x/y method is ideal for close-mic applications with minimal phase issues) with super low noise, designed to reference a Vintage U-47.

When paired with the HA-FX It is the perfect close Mic for Grand Pianos, or clean guitar speaker cabinet. Designed to reference a Vintage U-47.

The C-LOL 47 TL is the complete mic with shock mount.

The C-LOL 47 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 47 FX is the complete mic with shock mount.

The C-LOL 47 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

3 Zigma Audio

C-LOL 67 Capsule Module

$397.00

Capsule Module Only

Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the C-LOL 47 but less top end. Nicely balanced Lows/Low Mids.

You need a head amp to make this capsule module into a mic.

When paired with the HA-TL II the Ultra-Low Noise Transformerless Head Amp. The C-LOL 67 FX is amazing on Reed Instruments, slightly distorted guitar cabinets, or even vocals. Designed to reference a Vintage U 67.

When paired with the HA-FX The CLOL 67 TL is a stunning mic for reeds or small body acoustic guitars, with super low noise. Designed to reference a Vintage U-67.

The C-LOL 67 TL is the complete mic with shock mount.

The C-LOL 67 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 67 FX is the complete mic with shock mount.

The C-LOL 67 FX MP is the matched pair set of complete mics with shock mounts.

DETAILS:

Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

3 Zigma Audio

HA-TL II Head Amp Module

$347.00

Head-Amp Module Only

Developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise

Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character.

What goes in is what comes out only louder

You need a capsule module to complete this mic.

When paired with:

C-LOL 12 CM | It is an amazing acoustic guitar mic with super-low self-noise, designed to reference a Vintage C 12
C-LOL 47 CM | It makes a great spot mic or in pairs a wonderful x/y mic (x/y method is ideal for close-mic applications with minimal phase issues) with super low noise, designed to reference a Vintage U47.
C-LOL 49 CM | It is a great mic on bright sources, is super-low-noise, and designed to reference a Vintage M 49.
C-LOL 67 CM | It is amazing on Reed Instruments, slightly distorted guitar cabinets, or even vocals. Designed to reference a Vintage U 67.
C-LOL 251 CM | It is a stunning mic for nylon-stringed guitars, or harps, designed to reference a Vintage ELam 251.

DETAILS:

Includes: Shock Mount and Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

The C-LOL 12 TL is the complete mic with shock mount.

The C-LOL12 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 47 TL is the complete mic with shock mount.

The C-LOL 47 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 49 TL is the complete mic with shock mount.

The C-LOL 49 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 67 TL is the complete mic with shock mount.

The C-LOL 67 TL MP is the matched pair set of complete mics with shock mounts.

The C-LOL 251 TL is the complete mic with shock mount.

The C-LOL 251 TL MP is the matched pair set of complete mics with shock mounts.

3 Zigma Audio

HA-FX Head Amp Module

$397.00

Head Amp Module Only

We added a transformer for a little audio color – Also added a high pass filter and a pad switch for flexibility.

You need a capsule module to complete this mic.

When paired with:

C-LOL 12 CM | It is a great Drum overhead Mic where a brilliant wash of cymbals is desired, designed to reference a Vintage C 12.
C-LOL 47 CM | It is the perfect close Mic for Grand Pianos, or clean guitar speaker cabinet. Designed to reference a Vintage U 47.
C-LOL 49 CM | It is an amazing mic for distorted guitar speaker cabinets or brass instruments. Designed to reference a Vintage M 49.
C-LOL 67 CM | The CLOL 67 TL is a stunning mic for reeds or small body acoustic guitars, with super low noise. Designed to reference a Vintage U-67.
C-LOL 251 CM | It is great for Jazz Drum overhead or for nylon strings. Designed to reference a Vintage ELam 251.

DETAILS:

Includes: Shock Mount and Jewel Box
Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

The C-LOL12 FX is the complete mic with shock mount.

The C-LOL12 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL 47 FX is the complete mic with shock mount.

The C-LOL 47 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL49 FX is the complete mic with shock mount.

The C-LOL49 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL67 FX is the complete mic with shock mount.

The C-LOL67 FX MP is the matched pair set of complete mics with shock mounts.

The C-LOL251 FX is the complete mic with shock mount.

The C-LOL251 FX MP is the matched pair set of complete mics with shock mounts.

3 Zigma Audio

SD-C CM Cardioid Capsule Module

$247.00

Cardioid Capsule Module Only

Cardioid pattern with a nice, flat frequency response for a true and neutral sound.

A very typical SD capsule, probably the one you'll use most often. Straight cardioids pattern with nice, flat frequency response with only minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most jobs. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6.

You need a head amp to complete this mic.

3 Zigma Audio

C-LOL 12 TL Microphone

$647.00 $447.00

The C-LOL 12 TL its an amazing acoustic guitar mic with super-low self noise.
Designed to reference a Vintage C-12.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mic

C-LOL 12 | Brightest of our capsules. Smooth response throughout frequency range especially the hi mids up through the highs. Cuts through in a mix. Solid Fundamental Lows.
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder.
Shock Mount | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -33dB (22mV/Pa)
Impedance: 100Ω
S/N Ratio: 85dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 7dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 137dB
Power Requirements: Phantom power 48V±4V

3 Zigma Audio

C-LOL 251 FX Microphone

$697.00 $497.00

The C-LOL 251 FX is great for Jazz Drum overhead, nylon strings, baritone sax.
Designed to reference a Vintage ELam 251.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High SPL Mic

C-LOL 251 | Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth Mid Response and a full low end.
HA-FX | We added a transformer for a little audio color. Also added a high pass filter and a pad switch for flexibility
Shock Mount | for HA-FX (FET) Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -36dB (15.8mV/Pa)
Impedance: 200Ω
S/N Ratio: 84dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 10dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 136dB/ 144dB/ 152dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V

C-LOL 251 TL MP Matched Pair Microphones - ADKMic.com

3 Zigma Audio

C-LOL 251 TL MP Matched Pair Microphones

$1,297.00 $897.00

The C-LOL 251 TL MP - 2 mics that are stunning mics for nylon stringed guitars, or harps. Ultra Airy, and open.
Designed to reference a Vintage ELam-251.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mics

2 – C-LOL 251 | Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth Mid Response and a full low end.
2 – HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder
2 – Shock Mounts | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.
FREE SHIPPING

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -34dB (20mV/Pa)
Impedance: 100Ω S/N
Ratio: 86dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 8dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 138dB
Power Requirements: Phantom power 48V±4V

COUPON CODE: 2FOR1TPut 2 Thor Mics in your shopping cart to make the discount code work.

Zeus is like a Swiss Army Knife with 81 tools. A Sonic Sculpting Tool-Kit for the Modern Studio. Geometrically More Functional than our Original Flagship TT with Exponentially Better Specs.

Portable multitrack recorder/mixer and all­-in-­one 8-­in 4-­out USB interface, with four Kashmir microphone preamps

Bring on the band

Record anytime, anywhere

Expand your studio, keep your MixPre

Portable multitrack recorder/mixer and all­-in-­one 12-­in 4-­out USB interface with 8 Kashmir microphone preamps

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Authentic Transparency for Unrestricted Creativity

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Over 130 Optimized Signal Topologies

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Specifications

Multiple Paths, One Goal: Total Sonic Realism

Specifications

COUPON CODE: 2FOR1T
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Portable multitrack recorder/mixer and all-in-one 8-in 4-out USB interface, with four Kashmir microphone preamps

Portable multitrack recorder/mixer and all-in-one 12-in 4-out USB interface with 8 Kashmir microphone preamps