3 Zigma Hybrid Mic Singles & Matched Pairs

The C-LOL 251 FX is great for Jazz Drum overhead, nylon strings, baritone sax.
Designed to reference a Vintage ELam 251.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High SPL Mic

C-LOL 251  |  Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth Mid Response and a full low end.  
HA-FX  |  We added a transformer for a little audio color. Also added a high pass filter and a pad switch for flexibility
Shock Mount  | for HA-FX (FET) Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -36dB (15.8mV/Pa)
Impedance: 200Ω
S/N Ratio: 84dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 10dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 136dB/ 144dB/ 152dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V

The C-LOL 251 FX is great for Jazz Drum overhead, nylon strings, baritone sax.
Designed to reference a Vintage ELam 251.

DETAILS:

The C-LOL 251 TL is a stunning mic for nylon-stringed guitars or harps. 
Designed to reference a Vintage ELam-251.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mic

C-LOL 251  |  Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth Mid Response and a full low end.  
HA-TL II  |  developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path with no superfluous circuitry to encumber or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone 
Polar pattern: Fixed Cardioid 
Sensitivity: -34dB (20mV/Pa) 
Impedance: 100Ω S/N 
Ratio: 86dB (Ref: 1Pa/A-Weighted) 
Equivalent Noise Level: 8dB (A-weighted IEC 268-4) 
Max SPL for 0.5%THD: 138dB 
Power Requirements: Phantom power 48V

The C-LOL 67 FX is amazing on Reed Instruments, slightly distorted guitar cabinets, or even vocals.
Designed to reference a Vintage U-67. 

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High SPL Mic

C-LOL 67  | Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the CLOL-47 but less top end. Nicely balanced lows/Low Mids.
HA-FX  |  We added a transformer for a little audio color. Also added a high pass filter and a pad switch for flexibility
Shock Mount  | for HA FX (FET) Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -37dB (14.1mV/Pa)
Impedance: 200Ω
S/N Ratio: 83dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 11dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 137dB/ 145dB/ 153dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V 

The C-LOL 67 TL is a stunning mic for reeds or small body acoustic guitars, with super low noise. 
Designed to reference a Vintage U-67.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mic

C-LOL 67  | Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the C-LOL-47 but less top end. Nicely balanced lows/Low Mids.
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

The C-LOL 49 FX is an amazing mic for distorted guitar speaker cabinets or brass instruments. Designed to reference a Vintage M-49.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High SPL Mic

C-LOL 49  |  1950’s Classic mic vibe. Slightly dark but clear Hi- Freq. Full clear Mids with a round low end.
HA-FX  |  We added a transformer for a little audio color – Also added a high pass filter and a pad switch for flexibility
Shock Mount  | for HA FX Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity:
Impedance: 200Ω
S/N Ratio: dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 138dB/ 146dB/ 154dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V

The C-LOL 47 TL Mic makes a great spot mic or in pairs a wonderful x/y mic (x/y method is ideal for close-mic applications with minimal phase issues) with super low noise. Designed to reference a Vintage U-47.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mic

C-LOL 47  |  Very Smooth highs but with a bit of attitude. Less presence with an open sounding top end. Rich Tight Lows. More natural tonality than the CLOL 12.
HA-TL II  | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -35dB (18mV/Pa)
Impedance: 100Ω
S/N Ratio: 85dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 9dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 139dB
Power Requirements: Phantom power 48V±4V

The C-LOL 12 TL its an amazing acoustic guitar mic with super-low self noise. 
Designed to reference a Vintage C-12.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mic

C-LOL 12  |  Brightest of our capsules. Smooth response throughout frequency range especially the hi mids up through the highs. Cuts through in a mix. Solid Fundamental Lows. 
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

The C-LOL 251 FX MP are great for Jazz Drum overhead, nylon strings, baritone sax.  that are stunning mics for nylon-stringed guitars or harps. Ultra Airy. Designed to reference a Vintage ELam 251.

DETAILS:

 3 Zigma Hybrid Mic System - Ultra-High SPL Mics

2 – C-LOL 251  |  Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth Mid Response and a full low end.  
2 – HA-FX  |  We added a transformer for a little audio color. Also added a high pass filter and a pad switch for flexibility
2 – Shock Mounts  | for HA-FX (FET) Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -36dB (15.8mV/Pa)
Impedance: 200Ω
S/N Ratio: 84dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 10dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 136dB/ 144dB/ 152dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V

The C-LOL 251 TL MP - 2 mics that are stunning mics for nylon stringed guitars, or harps. Ultra Airy, and open.
Designed to reference a Vintage ELam-251.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mics

2 – C-LOL 251  |  Unique tonality. Considered our 2nd brightest mic. Described as silky with an Air band boost. Smooth Mid Response and a full low end.  
2 – HA-TL II  |  developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder
2 – Shock Mounts  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -34dB (20mV/Pa)
Impedance: 100Ω S/N
Ratio: 86dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 8dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 138dB
Power Requirements: Phantom power 48V±4V

The C-LOL 67 TL MP  - two stunning mics for reeds or small body acoustic guitars, stereo vocal mic, and much more.
Designed to reference a Vintage U-67.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High Low Noise Mics

2 – C-LOL 67  | Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the CLOL-47 but less top end. Nicely balanced lows/Low Mids.
2 – HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

The C-LOL 47 TL MP Mics makes a great spot mic or in pairs a wonderful x/y mic (x/y method is ideal for close-mic applications with minimal phase issues) with super low noise. Designed to reference a Vintage U-47.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-Low-Noise Mics

2 – C-LOL 47  |  Very Smooth highs but with a bit of attitude. Less presence with an open sounding top end. Rich Tight Lows. More natural tonality than the CLOL 12.
2 – HA TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
2 – Shock Mounts  | for HA TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -35dB (18mV/Pa)
Impedance: 100Ω
S/N Ratio: 85dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 9dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 139dB
Power Requirements: Phantom power 48V±4V

The SD-C TL Perhaps the perfect coincident stereo pair, not too bright, not too dark, and very transparent.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-Low-Noise Mic

SD C Cardioid Capsule  |  Cardioid pattern with a nice, flat frequency response for a true and neutral sound. A very typical SD capsule, probably the one you'll use most often. Straight cardioids pattern with nice, flat frequency response with only minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most jobs. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6 
HA TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

The SD-C FX is a great small diameter cardioid for loud sources. Especially designed for miking loud sources such as drum O/H.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High SPL Mic

SD-C Cardioid Capsule  |  Cardioid pattern with a nice, flat frequency response for a true and neutral sound. A very typical SD capsule, probably the one you'll use most often. Straight cardioids pattern with nice, flat frequency response with only minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most jobs. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6 
HA FX  |  We added a transformer for a little audio color. Also added a high pass filter and a pad switch for flexibility
Shock Mount  | for HA-FX (FET) Head Amps
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET SD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -38dB (12.6mV/Pa)
Impedance: 200Ω
S/N Ratio: 79dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 15dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 138dB/ 146dB/154dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V

The SD-H FX is a fabulous ultra high SPL (Sound Pressure Level ) close mic technique small diameter that is perfect for snare or other drum elements.

DETAILS:

The Hybridmic System Modular Components 

SD H Hyper Cardioid Capsule  |  A more directional version of the Cardioid capsule, with more proximity effect. The treble response is still very realistic and to some people, will actually sound more "real" than the cardioid.
HA FX  |  We added a transformer for a little audio color. Also added a high pass filter and a pad switch for flexibility
Shock Mount  | for HA-FX (FET) Head Amps
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET SD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -40dB (10mV/Pa)
Impedance: 200Ω
S/N Ratio: 77dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 17dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 140dB/ 148dB/156dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V

The SD-H TL Perhaps the most perfect upright bass, or on-stage acoustic guitar mic.  

DETAILS:

The Hybridmic System Modular Components 

SD-H Hyper Cardioid Capsule  |  A more directional version of the Cardioid capsule, with more proximity effect. The treble response is still very realistic and to some people, will actually sound more "real" than the cardioid.
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET SD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -38dB (12.6mV/Pa)
Impedance: 100Ω
S/N Ratio: 79dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 15dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 142dB
Power Requirements: Phantom power 48V±4V

The SD-O D TL is a superb room mic, especially designed for distant omni mic technique. 

DETAILS:

3 Zigma Hybrid Mic System - Ultra-Low Noise Mic

SD O D Omni Capsule  |  Diffuse Field response to be used when a relatively flat treble is required off axis, for instance when the sound of the room needs to be accurately represented (darker source).
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET SD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -37dB (14.1mV/Pa)
Impedance: 100Ω
S/N Ratio: 87dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 14dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 137dB
Power Requirements: Phantom power 48V±4V

The SD-O F TL is a wonderful overhead mic for choir, orchestra, or instrument miking. Especially designed for closer omni mic technique such as over the head of a choir or instrumentalist or nearby stereo mic technique of grand piano or other critical instruments.

DETAILS:

The Hybridmic System Modular Components 

SD-O F Omni Capsule  |  Free Field response: to be used when a relatively flat treble is required on axis, for instance when the source needs to be accurately represented (darker room sound).
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
Shock Mount  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET SD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -35dB (17.8mV/Pa)
Impedance: 100Ω
S/N Ratio: 82dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 12dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 139dB
Power Requirements: Phantom power 48V±4V

The SD-C FX MP are the ultimate drum overhead mics where full frequency and un-hyped sound is desired. 

DETAILS:

3 Zigma Hybrid Mic System - Ultra-High SPL Mics

2 – SD-C Cardioid Capsule  |  Cardioid pattern with a nice, flat frequency response for a true and neutral sound. A very typical SD capsule, probably the one you'll use most often. Straight cardioids pattern with nice, flat frequency response with only minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most jobs. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6 
2 – HA-FX  |  We added a transformer for a little audio color. Also added a high pass filter and a pad switch for flexibility
2 – Shock Mounts  | for HA-FX (FET) Head Amps
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET SD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -38dB (12.6mV/Pa)
Impedance: 200Ω
S/N Ratio: 79dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 15dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 138dB/ 146dB/154dB w. Switchable PAD
Low Cut filter (HPF): SPECS Available Soon
Power Requirements: Phantom power 48V±4V

The SD-TL MP are the ultimate X/Y or A/B mics for choir, orchestra, stereo coincident pair mic technique, or grand piano miking where some isolation is required.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-Low-Noise Mics

2 – SD C Cardioid Capsule  |  Cardioid pattern with a nice, flat frequency response for a true and neutral sound. A very typical SD capsule, probably the one you'll use most often. Straight cardioids pattern with nice, flat frequency response with only minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most jobs. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6 
2 – HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
2 – Shock Mounts  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

The SD-O D MP diffuse field small diameter omni are great for room mics or quad miking with SD C MP for choir and orchestra.

DETAILS:

3 Zigma Hybrid Mic System - Ultra-Low-Noise Mics

2 – SD-O D Omni Capsule  |  Diffuse Field response to be used when a relatively flat treble is required off axis, for instance when the sound of the room needs to be accurately represented (darker source).
2 – HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
2 – Shock Mounts  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET SD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -37dB (14.1mV/Pa)
Impedance: 100Ω
S/N Ratio: 87dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 14dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 137dB
Power Requirements: Phantom power 48V±4V

The SD-O F TL MP are small diameter free field omni. Great for stereo mic technique of choirs, orchestra, grand pianos where isolation is not necessary.

DETAILS:

2 – SD-O F Omni Capsule  |  Free Field response: to be used when a relatively flat treble is required on axis, for instance when the source needs to be accurately represented (darker room sound).
2 – HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder. 
2 – Shock Mounts  | for HA-TL Head Amps.
Includes Jewel Box

Ships Via: Fed Ex or U.S.P.S.

More Specifications:

Type: Quasi-Class A Pressure Gradient FET SD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -35dB (17.8mV/Pa)
Impedance: 100Ω
S/N Ratio: 82dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 12dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 139dB
Power Requirements: Phantom power 48V±4V