The C-LOL 12 FX Matched Pair are great for Drum Overheads when you want a brilliant, forward-in-the-mix tonality. Amazing SPL Capability and Rugged Reliability. Great for Drum Overheads or Stereo Tracking of...
Jazz at Lincoln Center replaced their 414 on Drum O/H with two C-Lol-251 FX The C-LOL 251 FX MP are great for Jazz Drum overhead, nylon strings, baritone sax. that are stunning...
The C-LOL 67 FX is amazing on Reed Instruments, small-body finger-style acoustic guitars, slightly distorted guitar cabinets, or jazz, classical vocals. Designed to reference a Vintage U-67 with Exponentially better Specs DETAILS:...
The C-LOL 49 FX is one of our favorite Trombone Mics, also a great for distorted guitar speaker cabinets or brass instruments. Ribbon-like, it can tame an overly-bright sax. Designed to...
The C-LOL 12 FX is an Amazing Acoustic Guitar Mic with a brilliant, forward-in-the-mix tonality. Makes a great Drum Over-Heard Mic, especially used in Matched Pairs. Designed to reference a...
Killer Snare Drum Mic, also Hi-Hat, Drum Overheads, Bass and Guitar Cab Mic. SD Hyper with Crazy SPL Specs! To most ears sounds the most "real" of any of our...
Want a Bass Cab or Kick Drum Mic that can handle huge SPL ? Michael Wagener Wall of Cabs had several of these bad-boys! Super Specs at a Spectacular Price/SPL...
The C-LOL 67 FX MP Matched Pair is amazing on Concert Size Grand Pianos, Especially Steinways, plus Reed Instruments, small-body finger-style guitars, slightly distorted guitar cabinets, jazz and classical vocals. Often...
Killer Snare Drum Mic, especially top and bottom out of phase. Hi-Hat, Drum Overheads, Bass and Guitar Cab Mic with Crazy SPL Spec! The SD-H FX is a fabulous ultra high SPL...
SD-C FX is a great small diameter cardioid for loud sources. Especially designed for use loud sources such as Drum O/H. Takes 154dB SPL! DETAILS: 3 Zigma Hybrid Mic System - Ultra-High...
The C-LOL 251 FX is great for Jazz Drum overhead, nylon strings, baritone sax. Designed to reference a Vintage ELam 251 with Exponentially better specs. Also can be amazing on...
The SD-O F TL is a wonderful overhead mic for choir, orchestra, or instrument miking. Especially designed for closer omni mic technique such as over the head of a choir or instrumentalist...
The C-LOL 251 FX is great for Jazz Drum overhead, nylon strings, banjo, mandolin, amd baritone sax. Designed to reference a Vintage ELam 251 with Exponentially better Specs. Béla Fleck tried...
The C-LOL 67 TL MP - two stunning mics for reeds or small body acoustic guitars, stereo vocal mic, and much more. Designed to reference a Vintage U-67 with Exponentially better Specs....
C-LOL 47 TL Mic makes a great Male Vocal Mic, Soothing On Strings, It makes a Silky Spot Mic. Also in pairs in either X/Y or A/B applications to minimize...
The C-LOL 47 TL MP Mics makes a great spot mic or in pairs a wonderful x/y mic (x/y method is ideal for close-mic applications with minimal phase issues) with...
The C-LOL 49 TL Ribbonesque Old-School Vocal Vibe microphone with ultra-low self noise. Designed to reference a Vintage M49. DETAILS: 3 Zigma Hybrid Mic System - Ultra-High Low Noise Mic C-LOL 49 | ...
The C-LOL 12 TL Matched Pair are great for stereo recording of guitars, percussion or any acoustic instrument that you want to add a sparkle or sheen to your sound. Designed...
C-LOL 47 FX MP Matched Pair is a Classic Stereo Pair of LD Condensers perfect for Grand Pianos, and especially good at taming bright pianos like Yamaha C-7. Articulate Lows,...
The SD-C FX MP are the ultimate drum overhead mics where full frequency and un-hyped sound is desired. If you have a loud stereo source like a grand piano or full blown...
Randy Tico, Victor Wooten, Viktor Krauss, Victor Bailey, and John Pattituci use this Mic for Upright Bass. Close to half the Bass Dept at Berklee school of music has an...
The SD-C TL is a super-balanced yet rich sounding coincident stereo pair, not too bright, not too dark, yet still very transparent. The SD-TL MP are the ultimate X/Y or...
As Seen on 60 Minutes, this mic has toured for 15 years with Jazz at Lincoln Center. The C-LOL 67 TL is a great fit for reeds or small body acoustic...
The C-LOL 251 TL MP - Matched pair of mics for nylon stringed guitars harps Stringed Things, Vocal Mics, Room Mics and More. Ultra Airy, and Open. Designed to reference...
