Save big this October on all T-FETs, Z² Z-Mods and on select 3 Zigma microphones

Save big this October on all T-FETs, Z² Z-Mods and on select 3 Zigma microphones

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ADK 3 ZIGMA

ADK 3 ZIGMA

ADK 3 ZIGMA

Unmatched clarity, ultimate versatility. Experience audiophile precision with the 3 Zigma modular hybrid-mic system.

Need even better specs, cleaner signal path, less coloration, more audiophile? Then the 3 Zigma Modular/Hybrid Mic System is the answer.


Using the same capsule technology as our custom mics, the 3 Zigma gives you an ultra high SPL (FX) or ultra-low-noise (TL) head-amp option.


Designed for the studio but rugged enough for the stage, the 3 Zigma Modular Hybrid Microphone System allows you to choose from a range of large-diaphragm capsule module tone profiles or small-diaphragm capsule modules. Each is paired with either an Ultra-Low Noise (TL) head-amp or an Ultra-High SPL (FX) head-amp.


This hybrid format lets you mix and match large-diaphragm capsule models, small-diaphragm capsule modules, and select the best head-amp body for your specific application since all components are interchangeable.

3 Zigma Series – Dial in with Precision

The 3 Zigma Series is all about modular flexibility and precision tone shaping. Each capsule in the lineup offers a unique sonic fingerprint, and with the Tone Dial as your guide, you can quickly navigate from the rich Density of the 49 or 47 to the airy Clarity of the 251 or 12.


These are not fixed points—they’re tonal guideposts, giving engineers and creators a scalable path to dial in the most flattering tone for any voice, instrument, or space. Whether you’re tracking in the studio or tailoring your stage sound, 3 Zigma lets you adapt in real time without compromise.

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ADK 3 ZIGMA

C-LOL67FX

Ultra-low noise with vintage U-67 tone. Perfect for reeds, vocals, and small-body acoustic guitars.

C-LOL 67 FX

C-LOL251FX

Vintage ELA M 251 vibe with superior specs. Ideal for jazz drum overheads, nylon strings, and female vocals.

C-LOL 251 FX

C-LOL12FX

Amazing for acoustic guitars with vintage C-12 sparkle. Cuts through dense mixes with unmatched clarity.

C-LOL 12 FX

C-LOL47FX

Rich, tight lows with silky vintage U-47 warmth. Great for male vocals, strings, and stereo applications.

C-LOL 47 FX

C-LOL49FX

Ribbonesque vintage M49 tone. Perfect for drums, distorted guitars, and taming sibilant sources.

C-LOL 49 FX

SD-CFX

Super-balanced and transparent. Ideal for loud sources like drum overheads with 154dB SPL handling.

SD-C FX

SD-HFX

Killer snare and hi-hat mic with realistic sound. Perfect for upright bass, violin, and live applications.

SD-H FX

SD-O-DTL

Superb room mic for distant omni techniques. Captures spacious, natural sound with high-SPL clarity.

SD-O D FX

SD-OFFX

Perfect for choir and orchestra overheads. Designed for closer omni techniques with high-SPL precision.

SD-O F FX

C-LOL67FX

Ultra-low noise with vintage U-67 tone. Perfect for reeds, vocals, and small-body acoustic guitars.

C-LOL 67 FX

C-LOL251FX

Vintage ELA M 251 vibe with superior specs. Ideal for jazz drum overheads, nylon strings, and female vocals.

C-LOL 251 FX

C-LOL12FX

Amazing for acoustic guitars with vintage C-12 sparkle. Cuts through dense mixes with unmatched clarity.

C-LOL 12 FX

C-LOL47FX

Rich, tight lows with silky vintage U-47 warmth. Great for male vocals, strings, and stereo applications.

C-LOL 47 FX

C-LOL49FX

Ribbonesque vintage M49 tone. Perfect for drums, distorted guitars, and taming sibilant sources.

C-LOL 49 FX

SD-CFX

Super-balanced and transparent. Ideal for loud sources like drum overheads with 154dB SPL handling.

SD-C FX

SD-HFX

Killer snare and hi-hat mic with realistic sound. Perfect for upright bass, violin, and live applications.

SD-H FX

SD-O-DTL

Superb room mic for distant omni techniques. Captures spacious, natural sound with high-SPL clarity.

SD-O D FX

SD-OFFX

Perfect for choir and orchestra overheads. Designed for closer omni techniques with high-SPL precision.

SD-O F FX

C-LOL67FX

Ultra-low noise with vintage U-67 tone. Perfect for reeds, vocals, and small-body acoustic guitars.

C-LOL 67 FX

C-LOL251FX

Vintage ELA M 251 vibe with superior specs. Ideal for jazz drum overheads, nylon strings, and female vocals.

C-LOL 251 FX

C-LOL12FX

Amazing for acoustic guitars with vintage C-12 sparkle. Cuts through dense mixes with unmatched clarity.

C-LOL 12 FX

C-LOL47FX

Rich, tight lows with silky vintage U-47 warmth. Great for male vocals, strings, and stereo applications.

C-LOL 47 FX

C-LOL49FX

Ribbonesque vintage M49 tone. Perfect for drums, distorted guitars, and taming sibilant sources.

C-LOL 49 FX

SD-CFX

Super-balanced and transparent. Ideal for loud sources like drum overheads with 154dB SPL handling.

SD-C FX

SD-HFX

Killer snare and hi-hat mic with realistic sound. Perfect for upright bass, violin, and live applications.

SD-H FX

SD-O-DTL

Superb room mic for distant omni techniques. Captures spacious, natural sound with high-SPL clarity.

SD-O D FX

SD-OFFX

Perfect for choir and orchestra overheads. Designed for closer omni techniques with high-SPL precision.

SD-O F FX

ADK Z² Z-Mod

ADK Z² Z-Mod

ADK Z² Z-Mod

• Hand-Crafted in USA

• Multi-Pattern

• Class A Valve/Tube Condenser Mic

• Designed with David Bock

Hand-Crafted in USA

Multi-Pattern

Class A Valve/Tube Condenser Mic

Designed with David Bock

Hand-Crafted in USA

Multi-Pattern

Class A Valve/Tube Condenser Mic

Designed with David Bock

ADK T-FET

ADK T-FET

ADK T-FET

The Perfect Workhorse Tri-Polar Microphone Series

The Perfect Workhorse Tri-Polar Microphone Series

The Perfect Workhorse Tri-Polar Microphone Series