ADK 3 ZIGMA

ADK 3 ZIGMA

ADK 3 ZIGMA

Unmatched clarity, ultimate versatility. Experience audiophile precision with the 3 Zigma modular hybrid-mic system.

Need even better specs, cleaner signal path, less coloration, more audiophile? Then the 3 Zigma Modular/Hybrid Mic System is the answer.


Using the same capsule technology as our custom mics, the 3 Zigma gives you an ultra high SPL (FX) or ultra-low-noise (TL) head-amp option.


Designed for the studio but rugged enough for the stage, the 3 Zigma Modular Hybrid Microphone System allows you to choose from a range of large-diaphragm capsule module tone profiles or small-diaphragm capsule modules. Each is paired with either an Ultra-Low Noise (TL) head-amp or an Ultra-High SPL (FX) head-amp.


This hybrid format lets you mix and match large-diaphragm capsule models, small-diaphragm capsule modules, and select the best head-amp body for your specific application since all components are interchangeable.

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ADK 3 ZIGMA

Ultra-low noise, vintage U-67 tone. Perfect for reeds and small-body acoustic guitars. As seen on 60 Minutes.

C-LOL 67 TL

Vintage ELam 251 tone with modern clarity. Ideal for jazz drum overheads, nylon strings, and baritone sax.

C-LOL 251 TL

Amazing for acoustic guitars. Vintage C-12 vibe with ultra-low noise. Elevates fine instruments in any mix.

C-LOL 12 TL

Vintage tone, superior noise and dynamic range. Includes shockmount and EVA case.

C-LOL 47 TL

Ribbonesque vintage M49 vibe with ultra-low noise. Perfect for old-school vocal warmth.

C-LOL 49 TL

Super-balanced and transparent. Not too bright, not too dark. Perfect for studio precision.

SD-C TL

Perfect for upright bass and fretted instruments. Versatile from bluegrass to jazz with stunning clarity.

SD-H TL

Superb room mic, ideal for distant omni mic techniques. Natural and spacious sound.

SD-O D TL

Perfect for choirs, orchestras, and critical instruments. Designed for closer omni mic techniques.

SD-O F TL

Matched SD-O-D TL & SD-C TL pairs with shockmounts and EVA cases for pristine stereo recordings.

OCCO Microphone Package

Ultra-low noise, vintage U-67 tone. Perfect for reeds and small-body acoustic guitars. As seen on 60 Minutes.

C-LOL 67 TL

Vintage ELam 251 tone with modern clarity. Ideal for jazz drum overheads, nylon strings, and baritone sax.

C-LOL 251 TL

Amazing for acoustic guitars. Vintage C-12 vibe with ultra-low noise. Elevates fine instruments in any mix.

C-LOL 12 TL

Vintage tone, superior noise and dynamic range. Includes shockmount and EVA case.

C-LOL 47 TL

Ribbonesque vintage M49 vibe with ultra-low noise. Perfect for old-school vocal warmth.

C-LOL 49 TL

Super-balanced and transparent. Not too bright, not too dark. Perfect for studio precision.

SD-C TL

Perfect for upright bass and fretted instruments. Versatile from bluegrass to jazz with stunning clarity.

SD-H TL

Superb room mic, ideal for distant omni mic techniques. Natural and spacious sound.

SD-O D TL

Perfect for choirs, orchestras, and critical instruments. Designed for closer omni mic techniques.

SD-O F TL

Matched SD-O-D TL & SD-C TL pairs with shockmounts and EVA cases for pristine stereo recordings.

OCCO Microphone Package

Ultra-low noise, vintage U-67 tone. Perfect for reeds and small-body acoustic guitars. As seen on 60 Minutes.

C-LOL 67 TL

Vintage ELam 251 tone with modern clarity. Ideal for jazz drum overheads, nylon strings, and baritone sax.

C-LOL 251 TL

Amazing for acoustic guitars. Vintage C-12 vibe with ultra-low noise. Elevates fine instruments in any mix.

C-LOL 12 TL

Vintage tone, superior noise and dynamic range. Includes shockmount and EVA case.

C-LOL 47 TL

Ribbonesque vintage M49 vibe with ultra-low noise. Perfect for old-school vocal warmth.

C-LOL 49 TL

Super-balanced and transparent. Not too bright, not too dark. Perfect for studio precision.

SD-C TL

Perfect for upright bass and fretted instruments. Versatile from bluegrass to jazz with stunning clarity.

SD-H TL

Superb room mic, ideal for distant omni mic techniques. Natural and spacious sound.

SD-O D TL

Perfect for choirs, orchestras, and critical instruments. Designed for closer omni mic techniques.

SD-O F TL

Matched SD-O-D TL & SD-C TL pairs with shockmounts and EVA cases for pristine stereo recordings.

OCCO Microphone Package

ADK Z² Z-Mod

ADK Z² Z-Mod

ADK Z² Z-Mod

• Hand-Crafted in USA

• Multi-Pattern

• Class A Valve/Tube Condenser Mic

• Designed with David Bock

Hand-Crafted in USA

Multi-Pattern

Class A Valve/Tube Condenser Mic

Designed with David Bock

Hand-Crafted in USA

Multi-Pattern

Class A Valve/Tube Condenser Mic

Designed with David Bock

ADK T-FET

ADK T-FET

ADK T-FET

The Perfect Workhorse Tri-Polar Microphone Series

The Perfect Workhorse Tri-Polar Microphone Series

The Perfect Workhorse Tri-Polar Microphone Series