Save big this October on all T-FETs, Z² Z-Mods and on select 3 Zigma microphones

Save big this October on all T-FETs, Z² Z-Mods and on select 3 Zigma microphones

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ADK 3 ZIGMA

ADK 3 ZIGMA

ADK 3 ZIGMA

Unmatched clarity, ultimate versatility. Experience audiophile precision with the 3 Zigma modular hybrid-mic system.

Need even better specs, cleaner signal path, less coloration, more audiophile? Then the 3 Zigma Modular/Hybrid Mic System is the answer.


Using the same capsule technology as our custom mics, the 3 Zigma gives you an ultra high SPL (FX) or ultra-low-noise (TL) head-amp option.


Designed for the studio but rugged enough for the stage, the 3 Zigma Modular Hybrid Microphone System allows you to choose from a range of large-diaphragm capsule module tone profiles or small-diaphragm capsule modules. Each is paired with either an Ultra-Low Noise (TL) head-amp or an Ultra-High SPL (FX) head-amp.


This hybrid format lets you mix and match large-diaphragm capsule models, small-diaphragm capsule modules, and select the best head-amp body for your specific application since all components are interchangeable.

3 Zigma Series – Dial in with Precision

The 3 Zigma Series is all about modular flexibility and precision tone shaping. Each capsule in the lineup offers a unique sonic fingerprint, and with the Tone Dial as your guide, you can quickly navigate from the rich Density of the 49 or 47 to the airy Clarity of the 251 or 12.


These are not fixed points—they’re tonal guideposts, giving engineers and creators a scalable path to dial in the most flattering tone for any voice, instrument, or space. Whether you’re tracking in the studio or tailoring your stage sound, 3 Zigma lets you adapt in real time without compromise.

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ADK 3 ZIGMA

C-LOL 67 TL

Ultra-low noise, vintage U-67 tone. Perfect for reeds and small-body acoustic guitars. As seen on 60 Minutes.

C-LOL 67 TL

C-LOL_251_TL

Vintage ELA M 251 tone with modern clarity. Ideal for jazz drum overheads, nylon strings, and baritone sax.

C-LOL 251 TL

C-LOL12TL

Amazing for acoustic guitars. Vintage C-12 vibe with ultra-low noise. Elevates fine instruments in any mix.

C-LOL 12 TL

C-LOL47TL

Vintage tone, superior noise and dynamic range. Includes shockmount and EVA case.

C-LOL 47 TL

C-LOL-49 TL

Ribbonesque vintage M49 vibe with ultra-low noise. Perfect for old-school vocal warmth.

C-LOL 49 TL

SD-CTL

Super-balanced and transparent. Not too bright, not too dark. Perfect for studio precision.

SD-C TL

SD-H_TL

Perfect for upright bass and fretted instruments. Versatile from bluegrass to jazz with stunning clarity.

SD-H TL

SD-O-DTL

Superb room mic, ideal for distant omni mic techniques. Natural and spacious sound.

SD-O D TL

SD-O-FTL

Perfect for choirs, orchestras, and critical instruments. Designed for closer omni mic techniques.

SD-O F TL

Matched SD-O-D TL & SD-C TL pairs with shockmounts and EVA cases for pristine stereo recordings.

OCCO Microphone Package

C-LOL 67 TL

Ultra-low noise, vintage U-67 tone. Perfect for reeds and small-body acoustic guitars. As seen on 60 Minutes.

C-LOL 67 TL

C-LOL_251_TL

Vintage ELA M 251 tone with modern clarity. Ideal for jazz drum overheads, nylon strings, and baritone sax.

C-LOL 251 TL

C-LOL12TL

Amazing for acoustic guitars. Vintage C-12 vibe with ultra-low noise. Elevates fine instruments in any mix.

C-LOL 12 TL

C-LOL47TL

Vintage tone, superior noise and dynamic range. Includes shockmount and EVA case.

C-LOL 47 TL

C-LOL-49 TL

Ribbonesque vintage M49 vibe with ultra-low noise. Perfect for old-school vocal warmth.

C-LOL 49 TL

SD-CTL

Super-balanced and transparent. Not too bright, not too dark. Perfect for studio precision.

SD-C TL

SD-H_TL

Perfect for upright bass and fretted instruments. Versatile from bluegrass to jazz with stunning clarity.

SD-H TL

SD-O-DTL

Superb room mic, ideal for distant omni mic techniques. Natural and spacious sound.

SD-O D TL

SD-O-FTL

Perfect for choirs, orchestras, and critical instruments. Designed for closer omni mic techniques.

SD-O F TL

Matched SD-O-D TL & SD-C TL pairs with shockmounts and EVA cases for pristine stereo recordings.

OCCO Microphone Package

C-LOL 67 TL

Ultra-low noise, vintage U-67 tone. Perfect for reeds and small-body acoustic guitars. As seen on 60 Minutes.

C-LOL 67 TL

C-LOL_251_TL

Vintage ELA M 251 tone with modern clarity. Ideal for jazz drum overheads, nylon strings, and baritone sax.

C-LOL 251 TL

C-LOL12TL

Amazing for acoustic guitars. Vintage C-12 vibe with ultra-low noise. Elevates fine instruments in any mix.

C-LOL 12 TL

C-LOL47TL

Vintage tone, superior noise and dynamic range. Includes shockmount and EVA case.

C-LOL 47 TL

C-LOL-49 TL

Ribbonesque vintage M49 vibe with ultra-low noise. Perfect for old-school vocal warmth.

C-LOL 49 TL

SD-CTL

Super-balanced and transparent. Not too bright, not too dark. Perfect for studio precision.

SD-C TL

SD-H_TL

Perfect for upright bass and fretted instruments. Versatile from bluegrass to jazz with stunning clarity.

SD-H TL

SD-O-DTL

Superb room mic, ideal for distant omni mic techniques. Natural and spacious sound.

SD-O D TL

SD-O-FTL

Perfect for choirs, orchestras, and critical instruments. Designed for closer omni mic techniques.

SD-O F TL

Matched SD-O-D TL & SD-C TL pairs with shockmounts and EVA cases for pristine stereo recordings.

OCCO Microphone Package

ADK Z² Z-Mod

ADK Z² Z-Mod

ADK Z² Z-Mod

• Hand-Crafted in USA

• Multi-Pattern

• Class A Valve/Tube Condenser Mic

• Designed with David Bock

Hand-Crafted in USA

Multi-Pattern

Class A Valve/Tube Condenser Mic

Designed with David Bock

Hand-Crafted in USA

Multi-Pattern

Class A Valve/Tube Condenser Mic

Designed with David Bock

ADK T-FET

ADK T-FET

ADK T-FET

The Perfect Workhorse Tri-Polar Microphone Series

The Perfect Workhorse Tri-Polar Microphone Series

The Perfect Workhorse Tri-Polar Microphone Series